Ask yourself – what did you think the last time you saw a video on social media with terrible sound? Unprofessional maybe? How long did you spend watching it? It’s a fact that more smartphone videos are ruined by rubbish sound than anything else.
Even a basic lapel microphone clipped to a jacket or top will transform your audio quality.
I use a lot of Rode products, which is why I’ve recommended so many, as they are good mix of quality and value for money, but I’m hearing good things recently about Deity. Sennheiser is a high quality brand, but their products are usually pricier.
TIP: Make sure any audio kit you buy has TRRS connectors, which have three black bands on the jack. TRS jacks have only two black bands, and will not work on smartphones, although you can buy a TRS to TRRS adaptor, such as the Rode SC7 (£13).
These are ideal for interviews. I’d recommend buying an extension cable as the cables on these mics often don’t stretch quite far enough, especially with social distancing rules in place.
TIP: If you don’t have an external microphone with you, use the microphone on the earphones that came with your smartphone. The quality can be surprisingly good!
TIP: Apple took away the audio jack port from the iPhone 7 onwards, so you will need an adaptor (£9) to fit a 3.5mm audio jack into the charging port. Some Android phones have also ditched the audio jack so you will need a USB-C adaptor (£5).
- Rode Smartlav+ (£50). A robust, good quality mic that I use these for my own projects.
- Boya BY-LM10 (£15). We use this on our courses. Try also the Boya BY-M1 (£15).
These are great for general audio and interviews. A directional microphone records audio in front of the camera, filtering out sound from the sides and rear, which is what you want on location.
TIP: Buy a windjammer or muffler (sometimes call a ‘dead cat’) that fits over your microphone on windy days. Buy one for any microphone you plan to use outside, or your shoot will be ruined by wind noise.
- Rode VideoMic Go (£77). Buy with Rode SC7 TRS to TRRS adaptor (£13), otherwise it won’t work with a smartphone.
- Rode VideoMic Pro (£135) features controls to cut out low frequency noise (like air conditioning) and a dB boost to increase sensitivity. Worth the extra money.
- Takstar SGC-598 (£34). Great value for money option. You will need a Rode SC4 TRS to TRRS connector.
- Rode Videomic Me-L (£70) plugs directly into the lightning port of an iPhone. Another version (£45) plugs into the 3.5mm port on the phones that still have them.
These can be vital for social distancing when recording interviews. To cut handling noise, consider a shock mount (£8) to go at the end of the pole.
- Rode’s range starts with the Micro boompole (£45), which extends to 2 metres.
- I’ve also heard good things about the Andoer 3.5m pole (£43), though I’ve not tested it myself.
These remove the need for cables and take out a lot of the hassle in shooting interviews. Useful for social distancing interviews too. Up till recently, they were too big, too bulky and too expensive for smartphone shooters. Not any more!
- Rode have the amazing WirelessGo for less than £180. The receive and transmit units are small enough to fit in the palm of your hand. The range is around 70m using the 2.4GHz licence-free frequency. The TX (transmit) unit has an in-built microphone so you can just clip it to clothing if you’re in a hurry. A clip-on wind muffler is included. For best quality, plug a lapel mic into the TX unit, though you will need a Rode SC3 adaptor (£11) to make this work.
Handheld or stick microphones
These are ideal for high quality interviews. The microphone can be easily moved to and fro between interviewer and interviewee.
- Rode Reporter (£115) has a three-pin connector, so can’t be plugged directly into your smartphone. I use an iRig Pre (£35) as an interface; this also gives me more control over audio levels. You’ll also need an XLR cable (£6).
- IK Multimedia iRig HD2 (£105). Plugs straight into your smartphone.
Monitoring your audio via headphones while recording an interview is a real plus. Use a splitter, which combines both a headphone and microphone input.